Scenic View
Scenic View is a 7 minute animated literal meditation on the serenity that we take for granted displayed through Zen Buddhist landscapes combined with the experience of acts perpetrated in the name of serenity.
Scenic View, posted with vodpod
Paradigm
Paradigm is a 5 minute experimental structuralist work combining digital animation, painted 16mm, and experimental music. Paradigm is a visual experience combining digital with analog as they compete for their place within the light.
Paradigm, posted with vodpod
Night Birds
A 16mm, 35mm Stills, Digital Video, Improvised Sound experience by Kevin Van Scoder, Matt Swift, Stacie Sells and music by Scott Steelman
Cycle of Overuse
Inspired by one of Murphy’s lesser known laws which discusses the ways in which applied force and repetitiveness affect objects, Cycle of Overuse expresses both force and repetition upon the human hand and provides a subtle but tendon popping and knuckle cracking conclusion. This film debuted at the Summer 2010 CMIAR in August
Extrication of a Man
Frantz Fanon once said “every spectator is a coward or traitor”. If through spectatorship we create our identity, how can we extricate ourselves from the judgment of ourselves and others as cowards or traitors solely based on our differences?
Down the Rabbit’s Whole
A structuralist animated work that looks, feels and sounds different every time you watch it. The overload of both the optical and auditory senses combined with the viewer’s habitual tendencies to try to make sense of the pulsating images and the monotonal audio, creates a unique experience for each viewer as their mental perception of what they see and hear interacts in ways unique to each viewer’s interpretations and experiences.
F.B.S.P
F.B.S.P. is a video piece approx. 1 minute and 40 seconds in length and seeks to explore, through satirical means, the hypocrisy and in-equality between males and females as sexually threatening creatures.
24 29 54
An avant garde piece exploring the art behind video compression and the way in which our notion of visual representation has changed with the onset of a internet based video watching society.
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